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<span style="color: #b20027; ">14803 [PDF]. [Datos]. </span>]]
It was not until 12,000-10,000 BC, that Homo sapiens realised their full artistic potential. Evidence of this resides on the East coast of the Iberian Peninsula where more modest, schematic and stylised paintings than those from the Palaeolithic were developed. As contours of discontinuous lines, the figures lack interior polychromy and are smaller in size. Human beings and animals on which they preyed were the centre piece of the art, often depicted in motion and in scenes that tell a story. These paintings were now displayed in rock shelter rather than caves, undoubtedly reflecting the change to a sedentary lifestyle. Well-preserved examples of such art can be found at the Cogull, Valltorta, and [https://m.facebook.com/watch/?v=519305595439306&vanity=CMMediaes Alpera ] sites as well as in cueva de la Araña.
Like the art in the Franco-Cantabrian region, these images were found on parietal walls throughout the Peninsula, frequently comingled with paintings and engravings from later periods. They were concentrated in three large areas: the Galician-Portuguese region, the south, and most commonly, along the East coast, so prevalent in this area that it is often referred to as “Levantine Art”.
